What is new and noteworthy about these 14 stories from rural Michigan? I thought I should choose at least one new writer.
I chose her not just for her subject. Others have written about the Rust Belt before. Like Amy [Hempel], she has an amazing ability to be clear-eyed and compassionate about her characters at the same time. Your story collections, on the surface, are quite the opposite of American Salvage.
Although the title seems to suggest a classic clipped collection, your stories are sui generis. What coheres them? Part of what coheres them is their emotional centres. The same person is writing them, so the same person is coming back to some of the same obsessions — obsessions that show up in the stories across centuries and across continents.
One of my obsessions, for example, is complicity with power that is being ill-used. Reviewers are also starting to catch onto the thematic and emotional links that draw my stories together. They used to just say: These stories are all so different. But now, having seen a few collections, they say: These stories are all so different… and yet there are similarities. Finally, in this era of ever-shortening attention spans, do you have any hope that short stories are due for a renaissance? Publishers have been hoping for that for a while.
They want a trilogy or an page novel or something. When you tell readers to read a poem, I think their impulse is often to think: Am I going to understand this? Nobody feels like picking up something for pleasure that will make them feel stupid. But those are just theories. For the reason that people read any kind of literature. Short stories at their best show us how we live and why we live the way we live. If you want to learn about the world, and about how other people operate, and about your own inner life, short stories are as good a way as any of getting started.
There is no dithering or throat-clearing in short stories. They dive right into the middle of the matter. Everything in a well-built short story is doing two or three things at once. That kind of density is very very cool.
- Buy This Book.
- Spécial Hiver : 4 nouvelles inédites (Coup de coeur) (French Edition);
- Cashiers du Cinemart 17.
- Tales of the Lost?
- Cry Of The Wolf (Eye Of The Storm Book 2);
- Short story cycle!
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Short story cycle - Wikipedia
The two disappearances are subsequently linked to the occupation of Manchuria, the torture killing of a Japanese soldier, and various other personal and global events. We never learn exactly what the Manchurian occupation has to do with the missing cat. The big historical mysteries are related to, but do not seamlessly explain, the small everyday mysteries.
The turns in the plot are often achieved unsatisfyingly, by dreams, or by a character deciding to sit in the bottom of a well; the narrators receive an inordinate amount of oral sex from bizarrely dressed middle-aged women.
Matters of Life and Death
Literature needs novels like The Miner , where you go into the mine and nothing happens; novels unlike Germinal , where you go into the mine and come out a socialist. Perhaps modern American literature has kept the worst parts of Zola. We lost the genetic mysticism and the graphomania—all of us, perhaps, except Joyce Carol Oates—and we kept the guilty social conscience. Dear American writers, break out of the jail!
Sell the haunted house, convert it to tourist villas.
Do not be ashamed to grieve about personal things. Dear young writers, write with dignity, not in guilt. How you write is how you will be read. Every now and then he looked up to ask what Evo was saying, since at his seventy-two years of age, Hugo Blanco is nearly deaf. The problem with autonomy and end-of-life decisions is largely a problem of information. It is not possible to be a German. If it were, hardly anyone would like to be one. Literature is only an art. If it improves you, it does so the way health, riches, and elegant clothes do. There are plenty of clones, yes, but like Dolly the sheep, they age quickly and soon die.
In the age of BookScan, only an unpublished writer is allowed to keep his dignity. It is in an aroused consciousness that the solace and excitement of literature are to be found. Our generation seems far too aware that reading is safe and fun, that literature is spectacle. You, dear reader, are also supposed to be a clone among clones.
100 Must-Read Contemporary Short Story Collections
Never trust a man who insists that he is sincere. How does Vollmann intend to be helpful, to save a life, to benefit someone?
Go to Uzbekistan now. A specter is haunting the academy—the specter of close reading. Issue 4 Reconstruction Available Now. Or sign in and read it now. Short stories, of course, have the added advantage of being short, meaning you can digest them in small chunks - the perfectly alternative to staring at your iPhone for an hour before bed. Here we round up 15 classic and modern short story collections that should be on everyone's radar. It's not a definitive list, of course, but it's a great start for anyone who wants to read more fiction in Snakes, crocodiles and lizards stalk the pages of this collection from one of America's most celebrated novelists, in which the muggy, murky state of Florida is always a principle character.
Groff's mastery of language, plot and dialogue are on full display in a set of stories that linger long after you've closed the last page. What radiates from every page of Kevin Barry's work is a relish for language and a sheer joy in story-telling: not since Irvine Welsh has an author writing in English made writing seem like such fun. There is plenty of pathos, too, in his tales of lost souls and misfiring Irish families and friendships.
This is funny, stirring stuff from a unique talent. Anyone familiar with his peerless children's books so: everyone will find it no surprise that Dahl's adult fiction is equally vivid and wicked. The stories in Kiss, Kiss are brilliantly taut and unnerving - masterclasses in the form.
A Book of Many Different Short Stories
A pioneering modernist writing in the early 20s, Mansfield was brilliant at dissecting British mores and the class system - probably helped by growing up in New Zealand before moving to the country. She died too young, but left a legacy of brilliant work of which The Garden Party may be the finest. One of great modern Irish writers, this collection spans five decades of brilliance from O'Brien whose prose style is among the most revered of any living author.